Hi sir, Could you please explain how a look test is done? Any workflow you followed for your films? And also could you explain how you decide a key for a face considering face structure/skelton ?
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I completely agree with Thomas.
I'm putting together a post explaining how I go about doing look tests and camera tests for my films.
It should be up by next week. Hope that helps you in some way.
Kartik Vijay, ISC
Testing is an important first step. However, it should not be a search without a goal. How do you want it to look? What are your aspirations? These questions have to be your guide. Deciding how to light an actor's face can be one of testing's most useful outcomes. As you rightly point out, bone structure is a key consideration, as well as skin tone and hair color. Then there are all those qualities that make the actor's face so intriguing, and without which they would not have been hired in the first place. The cinematographer's job is to reveal them.
Also, be sure to test more than one lighting situation. Certain sets or locations will have qualities that you want to retain. Others are a "blank canvas." The way they are visualized will be entirely in your hands.
As for workflow preferences, I spent decades shooting on film but have transitioned quite happily to digital imaging, which offers so many creative options unavailable in the photochemical process. That being said, it is important that you create a basic "look," with its own LUT, before shooting your tests. This will serve as a consistent foundation for everything that follows.
I now see that the post that prompted me to respond is dated Aug 05 of last year. Hope your tests went well and best wishes as you move forward!
Thomas Ackerman ASC